Friday, September 6, 2019

199 / Chuck Welch / USA


198 / John Robinson / USA


197 / Katrina Kuan / USA


196 / Mark Bloch / USA




I am happy to be participating in the 10 year PANiversary of the celebration of Ray Johnson’s A Book About Death. And to acknowledge that Ray first sent out pages from A Book About Death much earlier—to members of his New York Correspondence School some 56 years ago, in 1963.

Ray Johnson sent me pages from that “book” two different times—once in an envelope on which he mysteriously scrawled “Deathplace.” It contained pages 1,7 and 15. I received it May 11, 1984. He explained to me that he had been sending out two or three pages of the book randomly to people for decades and that no one had received the complete “book.” Then on October 1, 1984, he sent me a copy of page 7 again, not the page but a copy of it, accompanied by an altered version of it.

The original image features a drawing of US congressman (representing both Ohio and New York, by the way, two of my favorite locales, and Ray knew this) Samuel S. Cox, known as “the letter carrier’s friend” because he fought for the rights of postal workers. Cox (about whom Ray said that the S. in his middle name stood for “sucks”) was commemorated by a sculpture in Tompkins Square Park in the East Village of New York City. The drawing in A Book About Death is of the sculpture, not the man, and the sculpture was said to not be a very good likeness to start with. Anyway, that drawing was not drawn by Ray but his alteration of it was. He had added a “ladder” (instead of a “letter”) to commemorate his “Roof Event” in which he played the role of a "ladder carrier.” (I had already jokingly changed his Roof Event to a Food Event and was later in attendance at the event, handing out plastic forks in honor of our correspondence.) I was surprised when he handed me an envelope, mid-performance, with my name on it, his only deviation from walking back and forth with a long ladder over his shoulder on top of a parking garage. Anyway, these are some of the images that come to mind when I think of A Book About Death, now forever fused with the 2009 commemorative event at Emily Harvey Gallery where I met so many wonderful people who later became close friends. Every time someone has had another celebration, it has multiplied exponentially the fun and mayhem, not to mention the network connections. It has been an honor to be involved with this project from the start. I salute you LuAnn, for your creating this new “page” from this Ray Johnson idea of a “book.”

195 / Linda Weingarten / USA



194 / Eline Achterhuis / The Netherlands


193 / Michael Chan / USA



Michael curated an ABAD at the River Mill Art Gallery in Westfield, NJ in 2009.

192 / Belinda Rubino / USA



Thursday, August 22, 2019

187 / Louise Weinberg / USA

Louise curated an ABAD at the Queens Museum of Art, Flushing Meadows, NY in 2009.

186 / Franticham / Ireland



185 / R.W. Sloggatt / USA


184 / Adel Gorgy / USA


183 / Marsha Solomon / USA


182 / Julie Weaverling / USA

181 / Till Lauer / Switzerland

180 / Mara Hernandez / USA


179 / Sinclair Scripa / USA




178 / Patricia Kranenberg / USA

177 / Ann Stoddard / USA

Ann was curator of "ABAD: Life" at the Elizabeth Stone Harper Gallery at Presbyterian College, Clinton, SC in 2011.

"Holding up the ceiling for RJ" 2019, Digital print

Instagram:


176 / Lisa Sloane / USA


175 / Holly Gordon / USA

174 / Gary Hillier / USA


Monday, August 19, 2019

172 / Lance Rothstein / USA


171 / Lars Åsling / Sweden


170 / Ruggero Maggi / Italy


 

Ruggero writes: “I knew Ray by mail in 1975. I'm happy to participate in this great project dedicated to him. On my card I have reproduced an image realized by me and him for his well-known ADD & SEND BACK sheets. Surprisingly he drew himself in a bathtub many years before his final choice.”

169 / Maureen Piggins / Canada



168 / Kevin McCormack / USA


167 / Bonnie McLoughlin Stiegler / USA




I have sent 500 postcard editions on various paper types. Each of the cards is unique and contains my original artwork in reference to A Book About Death. The faces of these prints feature four different motifs, some of which are hand-embellished at random on the reverse. Some cards feature doodles, my signature, stickers or text; they vary in degrees of uniqueness and rarity akin to trading cards. I appreciate the way that your work upholds Ray Johnson's legacy and am very honored to participate in this exhibition.


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